Sunday, 30 July 2017
Image above: Villa doll house designed by Fabio Novembre for Kartell Kids, Kartell Contamination concept, Salone del Mobile, 2017.
To all design globetrotters outhere: here what's left to schedule this summer for your country-hop, around the most utterly exciting design-related events about to pop the upcoming months.
1. D Museum in Seoul launches this September the exhibition PLASTIC FANTASTIC in collaboration with Kartell. 40 mega-designers present through their works for the house the metamorphosis of the most ambivalent, ambiguous, ingenious and resistent material of the last 70 years and certainly the unique way Kartell illustrates all its properties, qualities and poetry. The duration of the exhibition will be from the 14th of September 2017 until the 4th of March 2018. (More info on www.kartell.it)
2. From Wednesday 11th to Saturday 14th of October 2017, Salone del Mobile moves to Moscow for the I Saloni Worldwide series at Crocus-Expo 2 center. It is the annual, usual meeting of two of the most significant forces of European design, the italian contemporary production and the Russian (new) avant-garde. The show will provide many further attractions, (apart the anchorage to its mother event, Salone del Mobile 2017 in Milan), such as Master Classes with leading designers and architects like Simone Ciarmoli and Miguel Queda (curators of the DeLightFul Exhibition at this year's Salone), legendary architect Massimo Iosa Ghini and also Cristina Celestino, one of the SaloneSatellite prominent new talents. Speaking of the SaloneSatellite, the 13th edition of SaloneSatellite Worldwide Moscow will be held again to discover and nominate as passionately as ever, the best new designers, originated from the vast soviet territory and eventually distribute awards to the three finalists (follow the link bellow to last year's entry and winner, super-talented Natalie Musorina and her showstopper, "Torsion" chair, http://musorina.com/torsion-chair ).
3. Fancy a stroll up in Londinium? Two major design exhibitions are taking place in the British capital: Franco Grignani: Art as Design, 1950-1990 at the Estorick Collection of Modern Italian Art presents the influential works of this Italian pioneer graphic designer and artist, creator of the "Woolmark" international logo. California: Designing Freedom at the Design Museum is documenting the exciting evolution of the refreshed, hippy modernism of the 60's to the tech extreme design elite of the Silicon Valley. A true cultural rollercoaster....
4. Some more happy news arrived from the Migliore + Servetto headquarters: the lighting system designed for the new Mondadori Megastore I-MESH lightweight diffuser ceilings, has been awarded the silver medal in the product design category of IDA - International Design Award. Congrats Migliore + Servetto!
Stay tuned for more news and ventures on our behalf, by mid-September!
Keep having fun?-))
Sunday, 16 July 2017
Image above: WOOGY doghouse (2015, manufacturing kkervvit): design by Sotiris Lazou at the Good Ντιζάιν Greece Exhibition 2017 until 23/7/2017, at Contemporary Space Athens, GR.
Explore the very latest design developments as stated in the following extracts of the first official summer press release by Salone del Mobile Milan team. It seems that the eco-living and the sustainable design methodologies that go with it, consist the very core interest of the Milanese design center, an international streamliner of the defining solutions in the sector, for the rest of the decade, to say the least.
"... It is part of a wider trend towards cutting adverse effects on the eco-system and is slowly filtering through into all fields of design application, generating eco-friendly alternatives for every sort and kind of product. Thus companies and designers are becoming mindful of sustainability in relation to manufacturing processes, embracing the principles of a circular economy and experimenting with raw materials made from recycled waste. The design sector is beginning to take the entire lifecycle of things into consideration, paving the way for innovative practices such as the creative re-use or harnessing of biodegradable materials. ..."
"...this approach entails no sacrifice in terms of looks but generates new expressive trends and different tastes. The sense of gratification or aspiration no longer derives simply from the immediate benefit to our domestic or work environments but also – looking forward especially – from just how much the entire planet is set to benefit. ..."
"...The Zero Waste philosophy originated in the Food world, where new “surplus” yet still perfectly good food consumption sales models and practices are being generated. The concept is slowly but steadily being embraced by all manufacturing sectors in response to the pressing ethical need to conserve resources that are far from infinite. It also employs a panel of Opinion Leaders, both national and international, selected ad hoc for their knowledge of the research subjects (design, architecture, interior design, interior architecture) and for their ability to take a crosscutting look at the themes of design and creativity.
The scope of observation includes all the leading international markets (Europe, Russia, USA and Asia) with a focus on “developing” countries such as China.
In the design world, this means taking on board the concept of circularity, minimising manufacturing waste, and planning not just the durability of objects but also their disassemblability and their capacity to be recycled or disposed of...."
The coming together of recycling and design is informed by the increasing awareness that materials and objects destined for the waste bin can be upcycled to produce something completely different.
The concept of waste as a resource forms the basis for all creative recycling processes. Poor materials, reclaimed materials and waste generated by manufacturing or consumption mark a new frontier for design and for designers who seek to upgrade them creatively while effectively helping to protect the ecosystem.
Turning things that would otherwise be discarded into items of value - financial, formal and functional – helps increase the utilisation efficiency of available resources and provide a further spur to developing new technologies and creating new aesthetics through design research. ..."
"...I think that as a designer nowadays we should not think we are all making the antiques of the future […]. We should create products that can be part of a circular system, and are designed considering what material goes into the product and what it leaves behind after use. (Christien Meindertsma, Designer) ..."
The 3rd Good Ντιζάιν Greece Exhibition 2017 is one of the few, formal presentations of the dominant design scene in the country, steadily revealing a landscape of an emerging Gender in the design concept and manyfacturing: the "greek" way in design -and apparently there is such a way. The exhibition is held at Contemporary Space Athens premises downtown, supported by The Chicago Athenaum Museum and its Good Design Awards institution and it showcases some of the noteworthy works of hellenic professional designers in fields like Industrial design, Graphic design & Packaging, Furniture design, Textile design, Environmental design & Interior design. You still have a chance to visit the show and get a glimpse of what it means to convey an idea into a commercial design object, under the complicated, yet straightforward theorems of a nation so old, yet striving to surpass the current contemporary esthetics.
Here's a small taste of some of the projects, (from top to bottom): Space & Time clock by A Future Perfect - "Asola" table lamp by Evangelos Vasileiou for Ligne Roset - 2055 Series door handle by Yannis Georgaras - Popsicle (Glifitzouri) by Danai Kehagia - Sam loves Betty anti-insects biocosmetic formulas by Yannis Ghikas (packaging), Aris Passouris (graphic design).
The first part of midsummer news is over - get ready for more soonish?-)))
Happy designful summer!